-Hat-
Appearance: a wide-brimmed crimson fedora hat

Dropped: Lying discarded here, perhaps amidst a furious fight, is a crimson fedora hat.

Examined: 
The tanned hide of a Dakhota wolf has been used to make this wide-brimmed fedora. A rich crimson colour has been chosen in the dying of this stylish piece of headwear, its wide floppy brim about a foot and a half in diameter. Two inch-thick bands, one atop of the other and light pink in colour, run around the base of the hat, adding a suave touch.


-Coat-
Appearance: a long, billowing crimson frock coat

Dropped: Having being hastily discarded, a long crimson frock coat lies here on the ground.

Examined: 
Expensive leather, taken from the hide of a fearsome Nuskuwen fire wyrm, has been used to create this grand, ankle-length frock coat. The garment has broad shoulders, not unlike a blazer, and ends either side in a pleated section of material extending a short way out over the shoulders. The arms of the coat are long and are a tad wider than one may expect from this sort of garment, with five buttons at the end of each sleeve to hold the cuff together. Two large lapels go down either side of the opening of the coat, stopping mid-waist. There is a large split in them, not more than a third of the way down. The low turnover collar is attached to the lapels by the means of two small buttons, meaning that if undone, the collar may be turned up to conceal the lower part of the wearer's face. The overcoat, while wide at the shoulders, slowly begins to taper down until the waist where upon it starts to widen a great deal, billowing as the material reaches the frayed end. At the bottom of this fine piece of outerwear, the material has been torn in over a dozen places, with small rips and the occasional hole along the bottom. A large split runs up from the bottom of the coat to just under a foot from the waist of the coat, allowing added freedom of movement.


-Shirt-
Appearance: a crisp white shirt with an intricate tie
 
Dropped: Lying neatly folded here is a long-sleeved white shirt with a red tie resting on top of it.
 
Examined:  
Lightweight silk has been skilfully used in the weaving of this white, long-sleeved shirt. The collar is in the turnover style, rising slightly higher than one usually sees them as. The points of the collar, several inches in length, point downwards and are buttoned down onto the shirt. A large, red silk tie has been intricately knotted and looped around the collar, looking more like a festive ribbon than a traditional bowed tie. Affixed down the front of this elegant garment is a series of white buttons, spaced with infinite precision, whilst the backward-facing cuffs curiously lack them.


-Shirt- (prototype)
Appearance: a dark grey shirt with an intricate tie

Dropped: Lying neatly folded here is a long-sleeved grey shirt with a red tie resting on top of it.

Examined: 
Lightweight cotton has been skilfully used in the weaving of this long-sleeved shirt, and has been dyed charcoal grey in colour. The right side of this garment has six buttons attached to it, and folds over onto the left to do it up. The collar is in the turnover style, rising slightly higher than one usually sees them as. The points of the collar, several inches in length, point downwards and are buttoned down onto the shirt. A large, red silk tie has been intricately knotted and looped around the collar, looking more like a festive ribbon than the a traditional bowed tie.


-Trousers-
Appearance: a pair of full-length dark grey trousers

Dropped: Folded neatly here is a pair of grey trousers, dust gathering on them.

Examined: 
This formal pair of trousers is full-length and designed from the finest lightweight cotton. Dark grey dye has been used in the colouring of this piece, the colour exact and not showing any fluctuations across it. The legs of this garment is loose enough so one may run and fight in them without hindrance, although they are not baggy enough to look informal, conforming more to the look of suit trousers.


-Boots-
NDS 377